• Wednesday November 6 6.30-9pm

    Register Here$50

    Maclean Park Fieldhouse 710 Keefer St

    Instructor: Sharon Kallis

    Join Sharon for an evening of exploring different braid styles. General focus will be on learning  simple flat braids either 5, 7 or 9 strand, as well as a round 4ply braid. Using natural materials from our gardens as well as some of Sharon’s hand spun wool,  participants will leave with braid samples ready for use as hat bands, straps and more in other personal projects. Sharon has been very inspired in the last few months with the versatility of braids used in a variety of ways and is looking forward to a chance to geek out on these simple bias weave methods with others keen to learn. All materials provided

    Note: a pre-req for this class is  knowing the 3 strand braid.

  • October 3 6.30-9pm

    $32.00 Register here

    Maclean park Fieldhouse 710 Keefer St.

    Instructor: David Gowman

    What projects are your dreaming of for your  winter making nights?

    Spend an evening with David at the Fabulous Horn Shop cutting local hard woods and antlers from his saved stash for buttons and closures  that will come in handy for your knitting, weaving, felting and leather work projects.

    All materials for buttons included, students will hand saw, sand and drill their own buttons.

  • Sunday October 6 1-4 pm

    Free, limited Space. tickets here Please show respect… if you take a ticket, show up!

    Stinging Nettle is a plant with many gifts to teach those willing to risk getting close. Urtica doica, the variety that grows both here and throughout the UK, has clothed our collective ancestors as have the other Urtica species that grow around the Northern hemisphere.  Join Sharon Kallis for a walking tour around the nettle patches in Trillium Park and learn the stories and knowledge Sharon has gained from both the plants and her many teachers over the last 15 years. Rain or shine, after a short walk, time will be spent under-cover processing harvested nettle stalks. Dress for the weather.

    Trillium North Park, corner of Malkin and Thornton Street.

  • Maclean Park Fieldhouse, 710 Keefer St

    $60.00 – postponed until Spring 2020

    In this workshop participants will work with Cease, learning about the plants while making a salve that  heals hangnails and in general, cares for our hard-working hands that have done us so well through the garden season.

     Cease will have started a batch earlier for maximum potency and each participant will leave with a jar from the evenings collective labour. We are thrilled to have Cease join us at Trillium to harvest from the healing  plants that are growing at MOP and Trillium. 

    This is a wonderful opportunity to spend time in a small group with the Indigenous Plant Diva and share stories from the  garden.

  • This whimsical project at MacLean Park before the Outdoor Movie Night on August 17 marked a turning point in EartHand’s AIC residency at Strathcona: Rebecca and Anna collaborating on a piece, the last one Rebecca will do for the residency before moving to a farm in the Fraser Valley.

    Using graphite sticks and some of the homemade wax/tallow crayons Rebecca made for EartHand’s Soil to Sky project, Anna and Rebecca invited community members to stroll up and make rubbings of leaves and bits mostly collected from around MacLean Park (one very engaged person also went home and brought some things from their garden!). Most of the rubbings were done on a large sheet of cloth that will be transformed as it is included in more artwork to be done at events this fall. We also experimented with rubbings on silk organza and pieces of coarse linen — so beautiful, each with their own unique qualities.

    When we were experimenting with different media for the rubbings in the weeks leading up to the event, Anna said this (and Rebecca thought it was brilliant):

    “I like the graphite, it’s kind of ephemeral — like it could be there, and it could be gone — which is important when you’re talking about place and community.”

    Oh, so true.

  • The final Fibre & Dye walk in the series was held on the warm and sunny afternoon of July 20th. Our journey began at Strathcona Community Centre and continued through MacLean Park, Strathcona Park and the Cottonwood Community Garden. Cottonwood is a rambling garden, full of botanical surprises including established mulberry shrubs, shade tolerant figs, ripening plum trees and a recently, and rather violently, chopped down banana palm.

    During the walk, we marvelled at how the parts of Strathcona we were travelling through rapidly moved between wild, cultivated, agricultural and industrial space—there is such a remarkable amount of diversity (plant, animal & cultural) held within a few city blocks. As we walked, we breathed in the pungent oils of aromatic plants, touched the roughness of comfrey and the stickiness of butternut leaves, and absorbed the visual abundance of blooming colour growing along the route. Observing and encountering plant life is not only about looking with our eyes, but also about touching, smelling and tasting—as through full sensory engagement we may more easily build and rebuild complex connections with botanical beings.

    Back at Trillium Park we extracted goldenrod (Solidago canadensis) and revisited the dye-bearing potential of tansy (Tanacetum vulgare). Anna and Jennifer wished to re-examine tansy at the height of its blooming period and to compare its colour with goldenrod (our domestic “super dye” plant), which was just entering into flower. Tansy tends to hit warmer yellow notes, while goldenrod is known for bright and lightfast yellows. Neither plant disappointed our expectations!

  • Draft of the longer container’s mural design by the Summer Heat Youth
    Draft of the shorter container’s mural design by the Summer Heat Youth

    Last week the Summer Heat Youth group began working with artist Alex Ruiz Ramirez to draft the mural design for the shipping containers that form the north wall of the Children’s Garden on the Strathcona Campus. The shipping containers hold the emergency supplies for the School and Community Centre, so even though they sit side by side like a set, one is under the jurisdiction of VSB and the other under that of the City and Park Board (that’s actually three different governing bodies, for those of you who are counting). Hats off to Liza Tam (Strathcona Community Centre) and Brenda Racanelli (Park Board), David Lewis (City of Vancouver) and Jason Eng (Vancouver School Board) for coming together on this project.

    This is a project that is dear to many kids and staff at Strathcona. When we began the We Grow Where We’re Planted map at the Multicultural Fair in March, I was blown away by the number of kids who said that the school, or somewhere on the school grounds, was their favourite place in the neighbourhood. Many of them mentioned the garden.
    Childcare Coordinator Veronica Light is well aware of the importance of the garden in the lives of the kids at the school and in her care — and also well aware of the staff’s struggles to keep it safe and maintained in spite of off-hours use that can include drinking, drug use, and even sometimes as a latrine. Veronica quietly welcomes campers who are good ‘night stewards’, respectful and protective of the space as sacred for kids; and said to me way back in February that they wished for a mural to enhance the sense of place, encouraging everyone to see the space as sacred to kids at all hours.

    So when Alex sat down with the Summer Heat Youth for their brainstorming sessions, he talked about these aspects of the project and asked the youth to turn back the clock a little bit, to think about what they loved about the garden when they played in it, imagine it with those younger eyes again, and bring their hopes and wishes to it. What do they love about this neighbourhood? What do they hope for the futures of the kids who are playing in the garden now? When I joined them for the first hour or so, everyone was sitting on the benches in the garden intently sketching out their ideas with pencil and paper as Alex went around, quietly encouraging and engaging.

    The mural was completed at the end of July, and the difference in the garden has surprised me — I knew that the sense of place and presence of the kids would be stronger, but the magnitude of the change is really stunning. The Summer Heat Youth did all the design work and painting, and I was touched to see the way they acknowledged the land and waters in their imagery — the salmon, salmon eggs, trees — and also the human world — bridge, houses, playground.

    Deep thanks to the Summer Heat Youth, Lianne the program coordinator, Gabe the youth coordinator, Alex the artist, and all the behind-the-scenes folks who helped make it happen. May it bring joy to the garden space and everyone through it for many years to come.

  • On the warm Saturday afternoon of June 22 we met outside the Strathcona Community Centre at 601 Keefer St and our keen group of over a dozen participants strolled east past MacLean Park and south along Hawks, admiring trees and flowers, observing the landscape and considering the time and events that have passed since it was ancient forest and wild creatures, its streams thick with salmon and trout, when the Coast Salish made and kept the laws of the land, the ways of being here.

    This time our route took us through Strathcona Community Garden, where we stopped to visit nettles and the rewilded area in the southeast section. Anna said that last year, when she was doing the Wayfinding walks with Nicola, there had been St.John’s wort everywhere, in profusion. She had thought it would be the same this year, plenty for a big dyepot; but that hasn’t been the case. What influenced this shift?

    Once again Jennifer brought beautiful handmade notebooks for everyone, and we spent time at Trillium carefully observing and drawing the flowers, and making notes about the dye samples.

    The third and final walk in this series will be Saturday July 20, 2019 — find the link on this page when it’s released. Event is free, but please register

  • Turning straw into gold is a magic process full of archaic terminology….
    If you want to learn more, check out Raven Ranson’s new book Homegrown Linen: transforming flaxseed into fibre

    The QuickStart Guide…

    Grow some flax — seed in the spring as early as the ground can be worked to reduce the need for water; or seed a bit later in the spring — you’ll need to water — but germination will be more even and the crop might be taller.
    Harvest — pull it out roots and all, hang it up or ‘stook’ it to dry
    Ripple — take the seed heads off (or go straight to retting, if you’re not saving seed)
    Rett — free the fibre from the woody stalk
    Break — break the straw, leaving just the raw fibre
    Scutch, Hackle — beat and comb the fibre to refine it, separating the ‘line’ from the ‘tow’
    Do stuff with your fibre — spin it into yarn so you can weave or knit; or pound it into paper pulp; or…?

    Glossary

    Break — Verb and noun, for the tool we use to shatter the flax straw out from the fibre. Better to do this on a very dry day — you want a crisp shatter, and if there’s any moisture in the air, the flax will absorb it and will make a damp sickly crunching sound without any benefit. If you don’t have a nice break to use, then you can just crush the straw with a mallet or a rock, and then do more scutching to release it.

    Card — verb, ‘to card’, meaning to put tow fibre onto a set of wool carders and make a nice pouffy even mat of fibre, ready for spinning.

    Comb/Brush — okay, not archaic — this is what I do with the dog slicker brushes, instead of hackling. NOT the same as carding — with carding, you ‘smear’ the tow fibres around and generally line them up, then roll them off the carder into a ‘punk’. But with

    Hackle — after seeing the traditional European versions of this tool, you’ll understand why ‘raising your hackles’ was an aggressive move. The old-school tools are beds of spikes with triangular or square cross sections. Modern versions made with nails (even when each nail is painstakingly filed to a sharper point) just don’t cut it — the refining capacities of the angular cross sections of the spikes are key, unless you’re using a tool with a really fine tooth. Rebecca’s favourite tool for hackling is a dog groomers’ wire-bristled medium slicker brush — less than $10 at the pet store.

    Rett — sounds like ‘rot’, right? it kinda is…. but more cooperative and with less stigma against the microbes. They do crucial work: gobbling up all the gums that bind the fibre to the woody stalk, so that you can get the fibre off more easily. But beware — if given too much time, the microbes will digest all the gums and then give way to new colonies which will digest your fibre — this is called ‘over-retting.’ However you rett your flax, make sure you have the SPACE and HEAT to dry it when it’s done!
    There are three common ways of retting:
    1/ dew rett — leave the flax straw lying out in the field and let the gentle wetting of the dew to allow small amounts of microbes to flourish and slowly eat the gums. Have to turn it once or twice, since the underside of the flax will always be more damp. Have to keep an eye on the weather — don’t want to have all your flax in the field and then be facing a week of rain.
    2/ Tarp rett — lay the flax straw out and soak it with a garden hose once or twice a day

    Ripple — Verb and noun, for the tool used to remove the seed heads from the flax before retting, when you’re saving seed (or avoiding rodents while storing). Basically a big metal comb with teeth just far enough apart to catch the seed bobbles and decapitate them from the stalks.

    Scutch — basically means ‘scrape off all the rest of the straw that didn’t get freed from breaking’. I’ve never got the hang of the traditional European tool for this — it’s a slanted board with something like a big wooden bread knife to beat/scrape the straw bits off. I prefer a nice smooth metal tool edge, like a dull shovel or hoe, or even a sharp table edge.

    Tow — The ‘B’ grade fibre, the short stuff left over in the hackles after you’ve got your nice strick of line. Ideally it’s mostly free of bits of straw (because you did a really thorough, tidy job of breaking and scutching, right?) and can be carded and spun for knitting or weft.

  • Big studio sale Wednesday May 22 at Trillium Park North, 600 National Ave, Vancouver. 6-9 pm
    20% of the proceeds will be donated to the EarthHand Gleaners Society to replace their stolen tools and keep their stewardship program thriving.
    CASH ONLY

    TOOLS

    Nancy’s Knit Knacks Andean Plying Tool – $30.00Video of how it’s used to make 2-ply yarn from singles: http://bit.ly/2JICiXw

    Majacraft Limited Edition Tensioned Lazy Kate, holds 3 bobbins of any type – $100.00

    Peg Loom 18”, great for making scarves – $30.00

    Ashford Knitters Loom, 20” with carrying bag – $250.00
    Barely used. Can be folded and carried with your project on it. http://bit.ly/2JGBnqB

    Louet Classic Drum Carder – $500.00
    This is great for carding mix fiber batts and are especially loved by art yarn spinners. 46 TPI and extra-deep carding cloth. http://bit.ly/2JQyR1h

    Forsyth 4-pitch fine combs, mint condition – $400.00
    The legendary Forsyth’s no longer make fiber tools. This set comes in its own beautiful box and was from the last production of combs they produced. Video of Susan Forsyth using the combs: http://bit.ly/2JHu2qJ

    Strauch Finest Single Wide Carder – $700.00
    One of the best carders made, it creates thick and lucious batts. Comes with doffer, drum cleaner and flicker. http://bit.ly/2JDhGQy

    Babe PVC  Single Treadle Fiber Starter Wheel – $150.00
    Multiple bobbins plus a regular and super large flyer. I learned to wheel spin on this wheel.

    Antique Skein Winder – $200.00

    Smaller items such as ball winders, hand carders etc. will also be for sale.

    SPINDLES

    • Gripping Yarns French and Russian supported Spindles $30.00 each
    • Cascade Little Si – $10.00
    • Tabachek – $30.00 (Ed Tabachek passed away in 2014)
    • Random spindles from Etsy – Resin whorl and rose quartz whorl – $10.00 each
    • Jorn Piel Nordic Drop Spindle – $30.00
    • Spindolyn Supported Spindle – $30.00

    FIBER
    Lots of fleece and fiber will be for sale, both natural and dyed as well as top and roving.

    Washed and Skirted Fleece – Sold by the large Ziploc bag, $10.00 per pound/454 g. Discounted if you take the whole fleece.

    Many breeds, including CVM, Cotswold, Merino, Jacob, Rambouillet, Polypay, Lincoln, Icelandic, Jacob, Bond and others.

    • Hand dyed, hand-combed top, locks or commercial roving per 100 g – $10.00
    • Silk Hankies 30g – $10.00, natural and dyed
    • Silk Cocoons, Natural – 15 pieces $5.00
    • Cultivated Silk and Tussah Silk Top  per 100g – $10.00
    • Flax Top – $6.50/100 g
    • Hemp Top – $6.50/100 g
    • Bamboo – $10.00/100g
    • Angelina – $2.50/10g
    • Firestar –  $8.00/100g
    • Pygora, hand plucked, guard-hair free per 100g – $10.00
    • Qiviut Down – $50.00/30g
    • Many assorted commercial weaving yarns – $5.00/cone

    All fibers sold in reasonably sized bags, most are under $10.00

    BOOKS

    • Wild Color: The Complete Guide to Making and Using Natural Dyes by Jenny Dean $20
    • Spinning for Softness & Speed by Paula Simmons $10
    • Colors from Nature by Jenny Dean $30
    • Start Spinning by Maggie Casey $10
    • Respect the Spindle: Spin Infinite Yarns with One Amazing Tool, Abbey Franquemont, $10
    • Eco Colour: Botanical Dyes for Beautiful Textiles by India Flint – $20
    • Learning to Weave by Deborah Chandler  $10
    • Teach Yourself VISUALLY Handspinning by Judith MacKenzie McCuin – $10
    • The Intentional Spinner by Judith MacKenzie McCuin $20
    • Pluckyfluff Handspun Revolution by Alexis Boeger $50
    • Intertwined by Alexis Boeger $20
    • Hand Woolcombing and Spinning by Peter Teal $20
    • Spinning in the Old Way: How (and Why) To Make Your Own Yarn With A High-Whorl Handspindle  by Priscilla A. Gibson-Roberts $20
    • Spin Control: Techniques for Spinning the Yarns You Want (Paperback) by Amy King $20