• Language and Place: unpacking the complexity of decolonizing our tongues and actions

    The following content documents the four-part conversation series hosted by EartHand Gleaners Society as part of the 2021 Artists in Residence Project: Down from the Mountains: into the City with Cease Wyss and Jolene Andrew. 

    Conversations took place virtually from November 2021 to January 2022 and included the perspectives and reflections of Senaqwila Wyss, Meagan Innes, Cease Wyss, Jolene Andrew, Tori Clark and Jazz Whitford.

    EartHand gratefully acknowledges the financial support of BC Arts Council Resilience funds and City of Vancouver Cultural Services: Community and Artists Shifting Culture  for making this project possible.

    Synopsis of Conversations:  Meagan Innes 

    Part 1: A conversation about the challenge and complexity of returning language to place with respect and honour.

    Prework recommended viewing:

    Jolene Andrew, Tori Clark, Cease, and Senaq Wyss show up to support the family via Zoom in all their beauty to talk about the challenges and complexities of returning to language and place. Senaq carefully picked up the work to begin the conversation about the importance of language revitalization. Her words circled around the importance of reviving ancestral place names. Senaq explored the differences between ownership and stewardship. Then the conversation stalled when it came to how institutions now want to steal our Sḵwx̱wú7mesh sníchim for questionable translations and cheap acts towards “reconciliation”. Institutions want to say to the world: “hey, look we are serious about reconciliation. Here look at our sign it says…??? oh wait I can’t pronounce this” call Senaq she knows. More and more language speakers are sought out to translate certain “buzz words” for titles of articles, for events, for place names unknowingly invoking the spirits of our ancestors, While glossing over how deeply hurtful this process can be for Sḵwx̱wú7mesh sníchim language learners. This is not settlers’ work. This work belongs to the Sḵwx̱wú7mesh Peoples here in Vancouver.

    Historically language was stolen, beaten, and erased from our tongues. This brings up very real physical, emotional, mental, spiritual reactions. So much is woken up and stirred up when it comes to language learners stepping into the process of language revitalization. This work is complex and what is not usually talked about is the deep hurt that comes with learning the language of your ancestors. There is a deep shame in not understanding suffixes, prefixes, and the way to use them. There is shame in not being able to pronounce certain glottal and vernacular stops. There is shame in not being able to articulate ideas, there is shame in not being able to pray to our ancestors. Then there is the added layer of loneliness, the loneliness of not having anyone in your direct family that can help. There is hurt that comes with learning Sḵwx̱wú7mesh sníchim and this hurt is different for every learner. Historically our Sḵwx̱wú7mesh sníchim languages have been stripped off our tongues and hearts through federal oppressive policy. 

    Paradoxically, there is also a deep joy, a pride that is developed as one starts to think and even dream in Sḵwx̱wú7mesh sníchim. Sḵwx̱wú7mesh sníchim is so specific, so beautiful, so melodious, so connected to place. Our language is interwoven, knotted, and tied to the land itself. Cease states; “our lands and our waters tell us stories that are there for us to learn from”. After all “we don’t own the land but only have the safekeeping of it for our children” just like our Sḵwx̱wú7mesh sníchim it is up to Sḵwx̱wú7mesh sníchim language learners to be the safe keepers of our Sḵwx̱wú7mesh sníchim for the generations to come.

     If you are reading this and feel overwhelmed to do something, think about donating to this language revitalization work through KAS see link below.

    Part 2:  Names of plants and decolonizing our tongues

    Prework recommended viewing:

    The role of  Sḵwx̱wú7mesh Sníchim language work is especially important to me as this is the language of my ancestors and one of the many languages spoken here on Coast Salish territory. Language revitalization is deep and humbling work. The work to revitalise a language takes commitment and sacrifices that therefore impact an entire Nation. Language revitalization asks students to delve deep into their history, kinship, and connection to the land. Students are challenged mentally, physically, spiritually, and emotionally and in the process of revitalising a language, students are actively working through intergenerational trauma and the impacts of contact and colonisation. This is not easy work but it is necessary work; ensuring one knows who they are and where they come from. Language helps to connect one to place, identity, culture, and spirituality. 

    Sḵwx̱wú7mesh Sníchim connects me to my Ancestors. Language revitalization also includes culture and ceremony thus leaving students with a greater sense of belonging. Culture and language are deeply entwined and the language holds a very specific Sḵwx̱wú7mesh worldview and perspective. Sḵwx̱wú7mesh: songs, origin stories, prayers, and ways to identify ourselves, our kin, and our specific ties to place are so important. Sḵwx̱wú7mesh sníchim is the language of my family and revitalising the language of my ancestors is so important. Through Sḵwx̱wú7mesh sníchim I am learning different ways of understanding: place, family, feelings, spirituality and Sḵwx̱wú7mesh worldview. This is what has been missing in my family for two full generations because of Indian Residential Day School. It is my sacred connection to my ancestral language Sḵwx̱wú7mesh sníchim, that helps my healing,  pride, and self-love. This work is important. 

    I see a progression of Sḵwx̱wú7mesh sníchim language in the songs I sing. I notice my voice no longer shakes when I am singing our traditional songs. I also notice my body language has moved from one based in fear to one that exudes confidence and pride. I feel the importance of Sḵwx̱wú7mesh sníchim language in my body and in my spirit. It is the ancestors I get to commune with in the early light of day when I go to the water. I know Sḵwx̱wú7mesh sníchim has deeply transformed me. And in the end, all of this is for the children because “the only thing the world needs is for every child to grow up in happiness” (George, 2004, p. 85).

     Part 3: Pushing Beyond Territorial Acknowledgments

    Prework recommended viewing:

    Squamish Atlas.com 

    Acknowledging traditional territory has become just a part of the all-inclusive workplaces agenda. However, not too long ago those who chose to acknowledge territory in a truthful manner by using the words: unseeded, stolen, unsurrendered were deemed “radical”. These types of “radical” acknowledgments made settlers uncomfortable and defensive. This usually led to parking lot conversations about why traditional acknowledgments were necessary. And often Indigenous educators were not given a second chance to open events and meetings;the truth was left off the agenda to “keep the peace”. I know that acknowledging the truth about Canada’s history is not easy but this is important work. In institutions now I am not sure how much of the traditional territory acknowledgment is lip service and how much of it is deep gratitude for settlers who find themselves, guests, here on beautiful Coast Salish territory? I wonder how many guests truly embrace the historical truths here on Coast Salish territory? 

    In this work there is a tangle of land and language politics.

     I often ask if my allies know how important language revitalization work is and question what is being done in support of this work? Senaq says that when she is teaching her children the language it is arduous and challenging but it is a choice she does not have. Senaq talks about how teaching the language “takes grandparents, , friends, siblings, family to help the process. But what if you don’t have this? What if you have only a handful of language speakers left in the world? 

    The data on present Sḵwx̱wú7mesh sníchim first language speakers is two, we have only two first language speakers left in the world.  We lost our last first language speaker last year. We have many “silent speakers” who were born between 1940-1947 that were born into Sḵwx̱wú7mesh sníchim speaking homes.  as well but I have yet to meet them and learn alongside them. According to the UNESCO Vitality Index, our Sḵwx̱wú7mesh sníchim is a “critically endangered language.” Critically Endangered (1): The youngest speakers are in the great-grandparent’s generation, and the language is not used for everyday interactions. These older people often remember only part of the language but do not use it, since there may not be anyone to speak with (Endangered Languages, 2003).  UNESCO Vitality Index states that “language diversity is essential to the human heritage. Each and every language embodies the unique cultural wisdom of a people. The loss of any language is thus a loss for all humanity” (Endangered Languages, 2003).  

    On top of all this remains the notion of survivors guilt when it comes to language revitalization. Senaq asks herself why do I get to learn snichim? Why me?

     There are some elders that don’t get this opportunity”. This is one account of the importance of language revitalization work along with the many woes. This story is shared so that next time it is your turn to acknowledge traditional territory and you utter the words “I give thanks to those whose traditional territory I live, work and play on the traditional territory of the….”STOP. When acknowledging the territory why is there gratitude for “playing on our territory” that is hurtful. Just “playing” on the traditional territory is not enough. Land back is what we need. If more people stopped to think about the Indigenous children who never got to “play” on their traditional territory, it changes this sentiment forever. 

    Senaq goes on to explain this notion through an example from the Vines Festival, artist Raven John asks members of the audience to: “reflect back…to think about the most beautiful memory you have here in Vancouver. Think about the happiest moment in your life.  And then to think about whose lives are ruined for these memories. Who’s lives were sacrificed to see that beautiful sunset? Whose land was stolen so you can “play” on that playground? Whose longhouses were destroyed and pushed into the ocean? There have always been Indigenous Peoples here before you. Who was removed, murdered, buried in these exact places?  Settlers starting happy lives on our Coast Salish ancestor’s graveyards need to think about these things and acknowledge the truth. Senaq goes on to explain that with that comes a deep and all-encompassing grieving, a grieving that the language is not spoken on the land, a deep grieving for the lack of knowledge for tree identification, and grief around trying to explain this, grief around trying to explain why acknowledgments are important.

    Jolene shares some insight on traditional acknowledgments; she invites folks to  “not compare our other histories during your acknowledgments” and to consider how are you supporting sovereignty specifically through land back?. Acknowledgments can cause tension and can perpetuate anti-indigenous sentiments. Jolene asks folks to think about “how allies are unintentionally weaponizing indigenous peoples’ knowledge to advance settlers’ political and environmental agendas. Jolene says “using indigenous knowledge as a political weapon is a truth that Indigenous Peoples face on a  daily basis”. I ask are you ready to acknowledge this truth? And what steps are you and your institution taking to support sovereignty, especially through the returning of our traditional lands, waterways, shores and foreshores? 

    Part 4: Honouring the Life of Plants

    Prework recommended viewing:

    http://www.nfb.ca/film/spirit_doctors/

    This virtual meeting brings us all together to speak about honouring the life of plants. The process so far has been a beautiful sharing of knowledge about plants. We started the session by introducing our collective ancestors and bringing them into commune with us by name. This is important if I want the work to go well. The introductions to our ancestors and our plant kin allow us space to time travel. To travel back in time to share stories of growing up, sharing teachings from our grandparents, great grandparents. To share knowledge about medicines. Knowledge about the land and the heart work in relating to plants as Kin. If you listen, plants can share many things. If you take the time you can learn about your collective Ancestors through plant kin.

    Sometimes the sharing of the plants and their family members, their essence, their spirit, their medicinal properties is really challenging. Knowing that traditional ecological knowledge and ancient ways of caring for our plant kin have been disregarded since contact. Now that the world is in the state that it is now, we can clearly view that devastation of contact and the commodification of all plant things turning back to traditional ecological knowledge seems to be the answer. However, there is weariness when it comes to sharing not only the truths about the plant kin but also the sacred teachings, language, protocols, and culture. When so much has been stolen, disregarded, ignored, and destroyed how can I trust those I share this ancient knowledge with? 

    Yet knowing that the teachings ask us not to be stingy, to share. Knowing that this knowledge is not just ours and can prove useful to help those sick and in need.  This double-edged sword is what you live by when you are forced by contact to live in two worlds At one time this knowledge and the care for plants kin was a reciprocal relationship based on trust and love. Now, what are we trading for this knowledge? How are we ensuring that you have taken the time to develop relationships that are reciprocal? 

    Yet I know this reciprocal relationship is not always reciprocated. When this relationship is not honoured, and traditional ecological knowledge is used as a commodity it breaks down and disrupts the natural order.. I have seen traditional ecological knowledge written down, memorised, and then shared back with no regard to the author of the work or the truth of where it came from. In this session, I shared about my relative Devils Club. I was careful about just how much I shared knowingly leaving out locations, seasonal times to harvest and ceremony that goes along with pulling my relative’s roots from the earth, the many steps of care to ensure it is ready to help, and then the many steps it takes to process devils club.  I also left out what it can be used for, what ailments it can aid, and how to take care of that which is leftover. I think about all the hours I have spent, all the time I have spent sitting with wisdom keepers, elders, and my relative devils club itself to listen, learn and act and I ask myself should I be sharing this over a Zoom meeting to perfect strangers? My answer is no.

    It is my thought that all the plants on Turtle Island deserve reverence and respect for who they are and what they do. I have been sharing about how we can better create a relationship with our plant kin that is reciprocal and based on respect. Please ask yourself what you can give plants? Rather than what can plants give to you? Viewing our plants as siblings rather than a commodity that can be taken, bought, and sold with no regard for plants that are endlessly generous and kind is yet another form of genocide. I ask after reading these personal thoughts what are you going to do for your plant kin? How will you move to build reciprocal relationships based on love and trust with plant kin and all folks?

    Meagan Innes, March 2022

    On behalf of

    EartHand Gleaners Society

    Would you like to access this document as a PDF to share with others? Please email earthandgleaners(at)gmail.com and we will email you a PDF for your network.

    Supported by:

  • EartHand Gleaners has just received a very generous donation of equipment to both keep and move into our community of fibre folks. It seems a moment should be taken to publicly acknowledge what will be a bounty for so many in our fibre community!

    It is an honour and privilege to accept from the estate of Masami Yesaki both her beautiful spinning wheel and drum carder for community use during program times, as well as to move two looms into our community of skill seekers.

    Spinning wheels, Masami, and our community have a history which makes this donation that much more poignant, here is the story:

    ‘Masami, a spinner and weaver whom I had met only once, passed away in early January 2013. Our mutual friend Penny asked me if I could do something: create a small outdoor monument or weave something with a group. She didn’t know exactly what she wanted but recognized her own need for a mourning ritual –  something that would resonate not just in the moment, but longer term as well. Masami had emigrated to Canada from Japan, and her ashes were being returned to Japan according to her wishes. That meant no place for visiting and remembering Masami for friends and loved ones here. The idea for a planted, living willow spinning wheel made a lot of sense. In fact, Penny and I are hard-pressed to know whose idea it was in the first place. I had just begun the project of creating a new cloth garden bed at Aberthau house, the place where the spinners and weavers guild that Masami belonged to, had met. … one Saturday afternoon about seven of us met up, and over four hours we constructed a simple, three-legged spinning wheel sculpture.

    Working with Masami’s husband and friends, we created each leg by planting about eight willow rods spaced about 15 cm (6 inches) apart in the shape of a circle. Each leg made from its own willow circle was woven in an under over rhythm all the way up the willow rods.

    We braided the spinning wheel itself by making a very long flat braid that could join on itself to become a circle.

    We made up how the structure needed to come together in the center as we went along, engineering on the fly.

    Lots of brains worked in different ways as to how to best bring about the basic idea of the piece as I had described to it to the group. Aside from group problem solving, there were moments of quiet reflection as well as storytelling, sharing memories of Masami. More than once there was laughter when the group thought we might have her approval on how we were faring with the task at hand.’

    Excerpt from Common Threads: weaving community through eco-art by Sharon Kallis (published by New Society Publishers) Chapter 5

    That ephemeral wheel has since disappeared, and we are elated to have her working wheel now in our community.

    Masami Yesaki
    November 5, 1951 – January 10, 2013
    On a bright winter day Masami’s cheerful face and spirit came to serene rest. Predeceased by her parents, Takeshi and Kimiko Maruki, she is survived by her husband of 34 years, Arthur, brothers Yoshimasa (Ayako) and Masafumi (Kazuko), nephews Ryo and Yuto and the extended Yesaki family. Arriving in Canada, she continued her childhood practice of the Japanese tea ceremony and became a member of The Urasenke Vancouver Association. She developed an interest in spinning, weaving and dyeing, and joined The Greater Vancouver Spinners and Weavers Guild. Her naturally open and friendly manner endeared her to everyone.

    ~from the Vancouver Sun and Province obituary column

  • Flax Talk with Dr. Kathy Dunster

    Free Virtual Event: Thursday, March 31st, 7-8.30pm

    The last few years Dr. Kathy Dunster ( Kwantlen Polytechnic University) has been  growing test plots of different flax for linen seed varieties . 

     Back in 2018,  Kathy and Sharon selected nearly 20 varieties of seeds from the Canadian Seed Bank. Kathy began growing and charting the growth and vigour with various climatic challenges while Sharon processed the straw to stricks.

    Kathy’s talk covers some of the social history of flax growing in the province of British Columbia and we will complete the presentation with conversation time to discuss collectively what next steps for linen growing might look like.

    Virtual Workshop with Joan Carrigan- Knotless Netting!

    2 Wednesdays, April 13th, 20th, 7-8-30pm

    Dressing a Stone and making a pouch- Knotless netting is an ancient stitching technique that has been used to make pouches and bags in many parts of the world. In this workshop, participants will start by learning design variations of knotless netting using waxed threads worked over a smooth stone – thus Dressing a Stone. The second project will be creating a Small Pouch with the option of making it into a necklace. Traditionally this technique employed plant fibre cordage so for the second project you will have the option of using cordage you have made yourself or perhaps yarn you have spun. 

    In the Gardens!

    Join us at Means of Production Garden! April 19, 21, and 23

    Looking for a community of land tenders to join? here is a great opportunity to get to know both MOP and the great folks who take care of this garden.

    This 3-session intensive stewardship project is an opportunity to get to know the MOP food forest and the amazing group of volunteers that steward this beloved community garden. 

  • A recent opportunity seemed too good to pass up- so we have tweaked our Closets Unpacked Program, and wanted to share the exciting news!

    For those living in the lower mainland area that register in this program, we will self-organize trips to Barnston island where a small plot of land will be ready for us to plant flax for linen. We will spend in total 3 afternoons on the farm with Susan and John, tend to our little crop, meet our fibre friends, and have lunch together… local road trip!

    This is such a beautiful way of rounding out how we think about our closets and the origin of our clothing- and set intentions for how our wardrobes become more local in the future. The crop will be shared by participants and support for retting and processing will be organized for later summer gatherings.

  • We are excited to announce the return of Cultural Territories 101, a continuation of where we left off last Spring. This time around Nicole will invite guests to research, learn and discuss pertinent topics that effect these Nations and their sovereignty. Nicole will be leading light discussion around the plants, fibres, weaving and cultural practices of each Nation while also discussing how current day colonialism has come into play.

    We are excited to welcome people from all knowledge levels and group participation/discussion is highly encouraged. This is a space to learn, listen and share and we look forward to having you.

    Feb 10th- North East Area

    limited space, free tickets available here

    Nations in Discussion: Dene Tha’, Acho Dene Koe, Kaska Dena. 

    With much of the region lying east of the Rockies, the physical geography of the Northeast is distinct from much of the rest of the province: a vast and remote area of foothills, forests, lakes and the Peace River valley.  The eastern region beyond the Rockies is the traditional territory of the Dene Tha’ cultural group and further north, the Acho Dene Koe. The mountainous western border of the region is considered traditional Kaska Dena territory. (from BCAFN website)

    March 3rd Nechako and Tlingit 

    limited space, free tickets available here (registration opens Feb 3rd)

    Nations in Discussion: Dakelh, Wet’suwet’en and Łingít

    The Nechako region is comprised of the Traditional Territories of the Łingít, Sekani and Kaska Dene in the north and the Dakelh, Wet’suwet’en further south. The land is generally mountainous, with many large lakes and rivers that have sustained a traditional economy and trade system since time immemorial. (taken from BCAFN website)

    March 24th North Coast and Haida

    limited space, free tickets available here ( registration opens Feb 24th)

    Nations in discussion: Nisga’a, Tsimshian, Haida, Tahltan, Gitxsan. 

    The North Coast Region is comprised of the Traditional Territories of the Coast Tsimshian along the Skeena River and surrounding its delta; the Haida on Haida Gwaii; the Tlingit along the coast north of Prince Rupert; the Nisga’a along the Nass River Valley and its delta; and the Tahltan along the Stikine River and further inland. The Coastal geography is made up of fruitful oceans, vast temperate coastal rainforests, and deep fjords that quickly give way to drier mountainous climates further inland. The region houses many large rivers including the Nass, Skeena and Stikine. (taken from BCAFN website) 

    April 14th Vancouver Island and Coast Salish 

    limited space, free tickets available here (registration opens March 14)

    Nations in discussion: Heiltsuk, Nuxalk, Nuu-chah-nulth, and Kwakwak’awakw

    The geographically diverse Vancouver Island and Coast region contains mountains, fertile agricultural lands, beaches, ancient rainforests, rivers, fjords, and archipelagos, which make up the traditional territory of many Coast Salish groups:  Heiltsuk, Nuxalk, Wuikinuxv, Gwa’sala-‘Nakwaxda’xw, and Da’naxda’xw in the northern mainland portion of the region adjacent to Queen Charlotte Sound; Quatsino, Nuu-chah-nulth, and Kwakwak’awakw on north and central Vancouver Island; Ditidaht, Pacheedaht, Saanich, Beecher Bay [Scia’new], Malahat, Nanoose [Snaw-naw-as], Songhees, Sooke [T’sou-ke], and Hul’qumi’num on southern Vancouver Island. (taken from BCAFN website)

    Nicole carding wool at Trillium

    Nicole Preissl was born and raised in Burnaby but is Sto:lo from Leq’a:mel First Nation. Her 

     great-grandmother was Squamish from X̱wemelch’stn and great grandfather from Katzie. Nicole is an active alumna and Emily Carr community member (BDes, 2019), passing on her knowledge to others through workshops in the Aboriginal Gathering Place. Nicole has been  actively involved with EartHand as an emerging skill-holder since 2018, learning while sharing: weaving, spinning, stories of place and most recently the Cultural Territories  101 program.

    Thank you to BC Arts Council and EartHand Gleaners supporters for making this program series possible!

  • Tuesday evenings, 6:30-8:00 pm PST

    3 virtual sessions: Mar 29, Apr 5, April 12

    We will be making willow tension trays, a simple project that can be used as a serving platter, hot plate, wall hanging or drying rack. This is a great introduction to basketry as it employs techniques that can be applied to a variety of materials and requires very few tools. We will cover hoop-making and a basic weave, then learn more advanced techniques and embellishments. We will discuss wild-harvesting, cultivating willow, storage and preparation of materials. This project is fun and accessible to weavers of all ages and experience levels!

    Depending on your weaving speed and materials you may complete multiple trays throughout the three sessions, or complete one over the three sessions.

    Workshop fee does not include materials — lower mainland residents will have an opportunity to purchase a willow material bundle from EartHand for $20 which will cover the main projects outlined. Winlaw/Nelson area participants will be able to purchase a similar willow  bundle directly from Gwen for $20 before the first session. For those wanting to provide their own materials a list will be emailed one week prior to class start.

    Tools required: garden shears/clippers.

    As a virtual series, Zoom and camera capability is required to participate.

    Artist Bio:

    Gwen has been enthralled with willow since she wove her first basket in 2010. During an apprenticeship with a master weaver on Hornby Island, BC, she learned the foundations of willow basketry and has expanded her craft alongside accomplished weavers in Canada, the U.S. and England. She established a willow farm in 2019, growing over 20 varieties of basketry willow that are coppiced annually. She teaches popular basketry workshops on her homestead in Winlaw, BC, and sells her wares at local markets. As a homesteader and naturalist, Gwen finds the process of growing and working with willow deeply nourishing and is keen to pass on the art and craft of basketry to all those interested in learning.

    This is a paid guild with tiered pay-what-you-can tickets:

    $68 – Sponsored Placement (SP)

    $85 – Volunteer Supported (VS)

    $95 – Community Patron (CP)

    Subsidized spaces in this program are available thanks to the generous donations of EartHand community members. For more information about our pricing scale see this blog post

    Get your ticket here! And your willow material bundle here!

  • Host: Cait of Gentle Geographies

    6 virtual sessions, Sundays 10-11:30am PST

    Feb 20, Mar 6, 20, April 3, 17, May 1

    What does it mean to be here now?

    How does community, tradition and heritage shape our conceptions of who we are and how we respond to the conditions we find ourselves living in?

    In coming to terms with how to love, how to live and how to be in relationships while preserving our truth, join us in the Spring for Networks of Care to connect around supporting ourselves and each other during disaster.  As an experiment in imagining relationships and care outside of charity, domination and ownership, we will build personal mycelial maps from hypha to network and begin to assemble our disaster planning kits while we explore stories of maintaining community, tradition and heritage during migration and pressures of assimilation — reaching to ancestral tactics for survival, including caring for the inherited objects and practises we cherish today as keys to who we are, why we are and who we might become as future ancestors. Lets all bring our questions and our ideas and explore these notions together, lifting each other up, and leave feeling better resourced then when we began.

    Host bio:

    Cait is a community organizer of Doukhobor decent working on stolen Sḵwx̱wú7mesh (Squamish), Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) lands, primarily in the Downtown Eastside.  She studied Geography at SFU and serves as vice president of the Vancouver Mycological Society and chair of the Hives for Humanity board in addition to being a founding member of their Community Engagement Committee — a governance initiative that mushroomed out of an ongoing process exploring informed consent and ethical research in the Downtown Eastside.

    Her embodied, land-based research praxis, Gentle Geographies, moves to build accountable relationships outside of domination and vision worlds without policing.  Through this, she is curious about experiments in living: small studies in community that often consider the geographies of her utopian-commune-settler ancestors through a queer and neurodivergent lens.  Cait is a weaver working with seeds and field recording – navigating overwhelm by slowly moving towards ecological restoration, coastal adaptation and counter mapping.

    This is a paid guild with tiered pay-as-you-can tickets:

    $108 – Sponsored Placement (SP)

    $131 – Volunteer Supported (VS)

    $152 – Community Patron (CP)

    Subsidized spaces in this program are available thanks to the generous donations of EartHand community members. For more information about our pricing scale see this blog post.

    Get your ticket here!

  • Host: Sharon Kallis

    5 virtual sessions, Saturdays 10-11:30am PST,  Mar 5 & 19, Apr 9, May 14, Jun 11

    and 3 trips to Barnston Island to be coordinated  for lower mainland participants

    1 flax seeding, 1 weeding, 1 harvest- visit dates TBC,( travel coordination and dates will be set at first virtual session)

    For the cloth obsessed and  the clothing-making curious.

    This group is for fellow textile nerds interested in making their own garments or understanding the true value of cloth. 

    What are you wearing, how long have you owned it — what was its production journey — and what might it become next? 

    And — What are you making, where did that cloth come from; could you yourself  weave it, knit it, spin it, dye it? How long might each step take? What might the miles of production in that commercial t-shirt be in comparison to the hours of making for a garment you could grow yourself?

    Lets collectively consider which are the core garments we each can’t live without — how would you make that piece if you started from the raw fibre source? Lets dig deep into our closets; think about what we wear, what we buy, what we consume and level up our personal production game while building a better understanding of the true value of what hangs  inside our wardrobes.

    What steps in clothing production do you choose to outsource — where do you need others help and what next skill development is your focus?

    This group will explore finding the answers to these questions and more as we each travel on our own lines of inquiry and making- finding ways of tracking our time or measuring the global footprint of favourite garments.

    Each of us will be at our own place in this journey of knowing cloth and understanding our wardrobes. Let’s support each others’ process, and move collectively towards greater cloth literacy. Come with your hand work ready to engage in conversation as we learn and inspire each other and unpack our closets together.

    This is a paid guild with tiered pay-as-you-can tickets:

    $108- Sponsored Placement (SP)

    $131- Volunteer Supported (VS) 

    $152- Community Patron (CP)

    Subsidized spaces in this program are available thanks to the generous donations of EartHand community members. For more information about our pricing scale see this blog post.

    Get your ticket here!

  • Join us for a conversation of what the past year held and for a quick dip into the official business of our finances and election of Board of Directors! As per changes at last year’s AGM, voting members are those who held volunteer positions of responsibility and those paid as skill holders through the year. Regardless of whether you have a vote, we would love to have you present virtually! Get a ticket by Feb 11, then pour yourself a morning cup, grab your hand work and log on!

  • Thursday evenings, 7:00-8:30 pm (PST)

    4 virtual sessions: Feb 3, 17, Mar 3, 17

    This mending guild is not about doing it the “right” way. It’s about trying new things, playing, and having fun as we repair our clothes and other textiles. Rather than subtlety and blending in, we encourage creativity and celebration of the mend!

    We’ll share instructions and resources for a variety of mending techniques and focus on your specific questions. We’ll discuss how repair culture connects with our lives. All skill levels are welcome, beginner to advanced. Everyone has knowledge and experience to share and we look forward to a lively discussion and group learning environment.

    A lifelong cyclist, Amy ‘Biker’ Walker delivers sociable arts activities by Makemobile, a cargo bike / studio. She wants to live in a world where we listen to each other’s stories as we darn each other’s socks. Visit makemobile.ca.

    As a virtual series, Zoom and camera capability is required to participate.

    This is a paid guild with tiered pay-as-you-can tickets:

    $72 – Sponsored Placement (SP)

    $87 – Volunteer Supported (VS)

    $102 – Community Patron (CP)

    Subsidized spaces in this program are available thanks to the generous donations of EartHand community members. For more information about our pricing scale see this blog post.

    Get your ticket here!